언론 보도 및 출판물
The New Museum is planning to expand into a nearby building it owns, having successfully raised $43 million for the project.
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The Frieze Art Fair got smaller in 2013, but industry insiders said that would make it no less important for international players who flock to London
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Money Making Strategies That WORK, Pilvi Takala’s new performative lecture which receives its British debut as part of this exhibition, is more accurately
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Located in close proximity to Stockholm’s commercial gallery district, Minibar Artistspace is a not-for-profit initiative run and curated by artists
Read MoreThe Frieze Art Fair got smaller in 2013, but industry insiders said that would make it no less important for international players who flock to London
Read MoreMoney Making Strategies That WORK, Pilvi Takala’s new performative lecture which receives its British debut as part of this exhibition, is more accurately
Read More
An acerbic wit, Finnish artist Pilvi Takala presents her first solo exhibition in London’s Carlos/Ishikawa Gallery.
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The New Museum’s Triennial exhibition The Ungovernables seeks, as its title implies, to capture the restless urgency and strategies of resistance
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The art world seems to have added its own “end of times” refrain to the chorus. Reaching a fever pitch during the love-to-hate-it Art Basel Miami Beach fair and myriad parallel events last week.
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Breaching Experiments is the new exhibition by Finish artist Pilvi Takala at Site Gallery. Over the past decade Takala has developed a critical body
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‘Our Work is Never Over’ comprises work by ten artists exploring the challenges of making a living. The exhibition operates on two levels.
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Takala’s rich performative visual art practice takes place mostly at moments where she blends into environments that seemingly have little to do with an artistic reality. In the spaces and places of offices, class rooms, amusement parks and public streets, her form of disguise and infiltration reveals the direct operation of many of the systems she finds herself in.
From communities of poker players in Thailand and a marketing office in Finland, to a shopping mall in The Netherlands and a boarding school in the US, the project of infiltration is often employed to offer practical stages of public research. This research mostly comes to us in the form of documentation, rather than us witnessing the direct movements. It alludes to a form of extreme observation of how these things actually work and what they tell us of our own position in a larger framework of communities and life.
For additional information about this artist, visit Mutual Art
