54th International Art Biennale Venice 2011
La Biennale di Venezia, Veneto, Venice, 06/04/2011 - 11/27/2011
전시에 관하여
La Biennale is one of the world’s most important forums for the dissemination and “illumination” about the current developments in international art. The title of the 54th Exhibition, ILLUMInations literally draws attention to the importance of such developments in a globalised world. I am particularly interested in the eagerness of many contemporary artists to establish an intense dialogue with the viewer, and to challenge the conventions through which contemporary art is viewed.
The work of Venetian painter Tintoretto will play a prominent role in ILLUMInations.
In many contemporary artists (the ones who interest me most), Ifind the same search for light, both rational and febrile, that animates some of Tintoretto’s later works. Tintoretto too was worried about overturning the conventions of his time, through a near reckless approach to composition that overturns the well-defined, classical order of the Renaissance. I am interested in the light in those paintings, which is not rational but ecstatic. Tintoretto’s presence will establish an artistic, historical and emotional relationship to the local context.
The term “nations” in ILLUMInations appliesmetaphorically to recent developments in the arts all over the world, where overlapping groups form collectives of people representing a wide variety of smaller, more local activities and mentalities. In addition, I am in favour of a Biennale with the Pavilions, because they represent an extraordinary opportunity for dialogue among the artists. The Arsenale offers me an opportunity to bring together the works of artists who use the space as a medium through the creation of “para-Pavilions”.
Sometimes the Pavilions of the Biennale are considered anachronistic; on the contrary they can be a tool to reflect upon the issue of identity. I wish to reinforce the sense of unity between the International Exhibition and the National Participations, by asking the artists from every country and the artists of ILLUMInations to answer 5 questions regarding this theme.
-Bice Curiger
The 54th International Art Exhibition of La Biennale di Venezia will present, as usual, the National Participations with their own exhibitions in the historic Pavilions of the Giardini, and in the centre of Venice.
This edition will also include selected Collateral Events, proposedby international bodies and institutions, who will present their exhibitions and initiatives in Venice concurrently with the 54th Exhibition.
For More Information
더 많은 전시
Solo exhibition
Galleria Suzy Shammah
Solo exhibition
Fondazione Sandretto Re Rebaudengo
Solo exhibition
Galleria Continua, San Gimignano
Solo exhibition
MACRO - Museo d`Arte Contemporanea Roma
Solo exhibition
Galleria S.A.L.E.S.
Solo exhibition
MACRO - Museo d`Arte Contemporanea Roma
Group exhibition
Fondazione Sandretto Re Rebaudengo
Solo exhibition
Gagosian Gallery, Rome
Solo exhibition
Museo di Palazzo Strozzi
Solo exhibition
Galleria d'Arte Moderna
Solo exhibition
Galleria Massimo De Carlo
Solo exhibition
Civic Gallery of Modern and Contemporary...
Solo exhibition
Gio Marconi Gallery
Solo exhibition
Galleria d'Arte Moderna
Group exhibition
Palazzo Grassi, François Pinault Founda...
Group exhibition
MACRO Testaccio
Group exhibition
Galleria Massimo De Carlo
Solo exhibition
T293, Rome
Solo exhibition
Museion, Museo d'Arte Moderna e Contempo...
La Biennale is one of the world’s most important forums for the dissemination and “illumination” about the current developments in international art. The title of the 54th Exhibition, ILLUMInations literally draws attention to the importance of such developments in a globalised world. I am particularly interested in the eagerness of many contemporary artists to establish an intense dialogue with the viewer, and to challenge the conventions through which contemporary art is viewed.
The work of Venetian painter Tintoretto will play a prominent role in ILLUMInations.
In many contemporary artists (the ones who interest me most), Ifind the same search for light, both rational and febrile, that animates some of Tintoretto’s later works. Tintoretto too was worried about overturning the conventions of his time, through a near reckless approach to composition that overturns the well-defined, classical order of the Renaissance. I am interested in the light in those paintings, which is not rational but ecstatic. Tintoretto’s presence will establish an artistic, historical and emotional relationship to the local context.
The term “nations” in ILLUMInations appliesmetaphorically to recent developments in the arts all over the world, where overlapping groups form collectives of people representing a wide variety of smaller, more local activities and mentalities. In addition, I am in favour of a Biennale with the Pavilions, because they represent an extraordinary opportunity for dialogue among the artists. The Arsenale offers me an opportunity to bring together the works of artists who use the space as a medium through the creation of “para-Pavilions”.
Sometimes the Pavilions of the Biennale are considered anachronistic; on the contrary they can be a tool to reflect upon the issue of identity. I wish to reinforce the sense of unity between the International Exhibition and the National Participations, by asking the artists from every country and the artists of ILLUMInations to answer 5 questions regarding this theme.
-Bice Curiger
The 54th International Art Exhibition of La Biennale di Venezia will present, as usual, the National Participations with their own exhibitions in the historic Pavilions of the Giardini, and in the centre of Venice.
This edition will also include selected Collateral Events, proposedby international bodies and institutions, who will present their exhibitions and initiatives in Venice concurrently with the 54th Exhibition.