Born in 1977 in Harare, Zimbabwe, James Beckett lives and works in
Amsterdam. Beckett is an artist and a musician. He primarily works
with installation, creating environments which incorporate
performance, painting, sculpture, embroidery, text and print. His
research-based practice explores minor histories, mostly concerned
with industrial development (and subsequent demise) across Europe,
a process of investigation which is as much physical as it is
biographical. Beckett often relies on museological display
mechanisms to present local manufacturing developments, at times
staged from the particular vantage point of product evolution.
Accompanied by anecdotal accounts of local figures – including
little known artists, inventors and workers – these dry exposés
eschew narrativity in favor of opening up peripheral readings of
historical events by focusing on the objects and artifacts that
have been left behind. Beckett’s earlier audio pieces promote a
conceptual understanding – as opposed to an affected experience –
of sound. These often take the form of visualizations of sound, as
well as other information, as diverse as animal experiments and
traffic density. With music and sound as an extension of his visual
practice, he has collaborated with a number of groups including the
Plus Minus Ensemble, and the Dutch-based musicians initiative
N-Collective. He is a founding member of the Hurdy-Gurdy outfit and
The FRÈDERYCK NÙYEGEN Seaside Memorial Band.
For additional information about this artist, visit Mutual Art