BÁO CHÍ & XUẤT BẢN
10 Exhibitions Opening This Week in New York, Los Angeles, Miami, Chicago, London, Toronto, Amsterdam, Tokyo, and Sydney.
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A collective fundraising exhibition in aid of Pianoterra onlus.
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The 31st Biennial of Graphic Arts, Ljubljana presents “Over you / you”, the 60th-anniversary edition of the Biennial. Founded in 1955 in Yugoslavia, it is not only one of the world’s oldest biennials, but the first dedicated to the graphic arts.
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Adriana Lara’s The Non-object (frog), 2016, a painted silicone sculpture of a frog lying flat on its back, rests on a pedestal near the entrance to SculptureCenter.
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Adriana Lara is a subscriber. Adriana Lara is a publisher. Adriana Lara is a browser. And Adriana Lara is also an artist. For X-TRA, Lara has produced The Invisible Hand
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The Generational: Younger Than Jesus sent me back to William Blake. In his Songs of Experience, he bids “Youth of delight come hither, / And see the
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While tradition is big in Mexico City, bureaucratic efficiency is not. This past weekend marked the 11th edition of the Zona Maco art fair, which this
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I am sitting on the floor of one of downtown Mexico City’s tallest buildings, watching the sun set whilst two young members of the city’s art world
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The annual campground-casual show organized by the independent curator Bob Nickas in the Bridgehampton summer home of Jose Martos, an art dealer, and
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Vilma Gold presents One After One, an exhibition of works by Eloise Hawser, Lena Henke, Adriana Lara, Marlie Mul, Lucie Stahl and Gili Tal.
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The press release for the show, “NY – USA,” which appeared this winter at Algus Greenspon and was the first New York solo by the Mexican artist Adriana Lara, identifies the woman as a “marginally successful” 1930s Mexican actress.
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Following its successful New York debut in 2012, Frieze, the 11-year-old London fair, has announced the participants in Frieze New York 2013 (May 10-1
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The mysterious linguistic entity ‘CGEM’ (pronounced ‘See-gem’), which was invented by Colombian curator María Inés Rodríguez some time
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Adriana Lara was born in Mexico in 1978. She received a degree in Photography from Escuela Activa de Fotografía in Mexico, a degree in Art and Design from Koninklijk Academie Van Beldende Kunsten KABK, in Holland, and is currently in the process of receiving a degree in Philosophy from the Facultad de Filosofía y Letras, UNAM.
Her work has been exhibited internationally, most recently included in AUTOCENTER in Berlin; The Exhibition Formerly Known as Passengers: Stowaways at the CCA Wattis Institut for Contemporary Arts in San Francisco, and in The Generational: Younger than Jesus, at the New Museum, NY which included an installation titled “Banana Peel”
Adriana Lara has had numerous gallery and museum exhibitions, including at the Astrup Fearnley Museet for Modern Kunst and at the Kunsthalle Wien, Karlsplatz. There have been Numerous articles about Adriana Lara, including 'Art Matters | Old and New Worlds Collide Around Mexico City’s Zona Maco' written by Kevin Mcgarry for New York Times Magazine in 2014.
For additional information about this artist, visit Mutual Art
