BÁO CHÍ & XUẤT BẢN
Color is powerful. It can stop traffic, sell a product, make art sing. It’s also political.
Read MoreAn essential guide to what to see globally, including new work by Nicolas Party and a survey exhibition of design-legend Frank Lloyd Wright
Read More10 Exhibitions Opening This Week
Read MoreIn the beginning was the word: Fragments of prose by James Baldwin, jokes by Richard Pryor and, later, the testimony of a youth wrongly accused of a crime. All have served as the basis for Glenn Ligon’s series of text paintings and neons exploring race, identity, language and abstraction.
Read More10 Exhibitions Opening This Week
Read More10 Opening Exhibitions to Watch
Read MoreJennie C. Jones (American, b. Cincinnati, Ohio, 1968; lives and works in Brooklyn, New York) explores the confluences between abstract visual art and
Read MoreWith extravagant refinement, Jennie C. Jones has orchestrated an affecting, Minimalist theater of memory, obsolescence and uncertainty
Read MoreSIKKEMA JENKINS & CO. | JULY 8 – AUGUST 13, 2010 An epiphany came to Jennie C. Jones via a black and white photograph of John Coltrane taken
Read MoreSikkema Jenkins & Co presents Electric, an exhibition of new works by Jennie C. Jones, on view from July 8 through August 13, 2010.
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Jennie C. Jones attended the Mason Gross School of the Arts at Rutgers University, where she received her Masters of Fine Art in 1996. Prior to that she attended The School of the Art Institute of Chicago, receiving a Bachelors of Fine Art in 1991, with Fellowship. Over the past decade she has participated in numerous prestigious artists’ residency and fellowship programs, both nationally and internationally, including: The Liguria Study Center for the Arts & Humanities Fellow - Genoa, Italy, (2004); Cité Internationale des Arts, Paris, France (2002-2003); The Lower Manhattan Cultural Council Residency at the World Trade Center (1999); and Skowhegan School of Painting and Sculpture (1996).
Her previous awards include a Pollock-Krasner (2000), a NY Community Trust Pennies from Heaven grant, and the Rema Hort Mann Foundation Award, both in 2006. Her Artists Space project “Simply Because You’re Near Me” was reviewed by Holland Cotter in The New York Times (February 10, 2006). In 2007 she had her first solo exhibition, Recomposing, at Arratia, Beer Gallery in Berlin, Germany, and participated in the group show Black Light/White Noise: Sound and Light in Contemporary Art at the Contemporary Art Museum in Houston, Texas.
She has works in the prestigious Deutsche Bank collection, and in the collection of the law firm Weil, Gotshal & Manges. In 2008 she will be a fellow at the Rockefeller Foundation’s Bellagio Study Center in Italy, as well as a visiting artist at The American Academy in Rome. She is a 2008 Creative Capital Grant Recipient, and was a finalist for the prestigious William H Johnson award.
For additional information about this artist, visit Mutual Art