新聞和出版物
Art may not survive the 21st century as a separate, meaningful category - according to one of the UK's foremost art teachers. Both cultural change and massively increased accessibility to the tools with which to create will have a huge impact on the nature of art itself. Presenters Timandra Harkness and Leo Johnson explore the impact that technological change will have on art, and speak to artists at the forefront of the digital revolution.
Read More
“Legality is a question of Power” “Now Seize Freedom” “Our Truths are Self-evident”; three quotes that can sit happily together but are quoted from opposite sides of the political spectrum, one from die Rote Armee Fraktion and the other two from US Republican representative Thaddeus G. McCotter. It is exactly this proximity that Bauer’s most recent work deals with. Historically her work has spliced together imagery drawn from sources as diverse as Rubens paintings, Japanese prints, carnival caravans and contemporary architectural drawings. The work has consistently addressed violence and power though has more recently become more overtly political. The content of the text ranges from historical and contemporary political slogans to apocryphal advice from both far right and far left websites. The work is research into where the ideology of both left and right may or may not overlap. The images continue to be complex visual puzzles twisting and layering politics as they twist and layer imagery but also presenting the conceptual overlap and dissolve of traditional political positions in a rethinking of left and right. She is currently returning to the more sculptural/ architectural side of her practice with a project looking at the architecture of the UN in NY as its point of genesis.
Diann Bauer is and American artist based in London and Berlin. She
has had solo exhibitions at both private and public spaces
including AnaSTrophe-Soon it
Would Be Too Hot - collaborative mural/installation with
AST(Alliance of the Southern Triangle) for Cannonball, Miami
(2015), Apollo Meet Icarus, Installed at OMI International Art
Centre, NY (2015), Real Flow-collaboration with
Victoria Ivanova, Christopher Kulendran-Thomas and Suhail Malik
doing R&D of finance and art, at K. New York
(2015) Paradise Row
(2011 and 2007), Kynastonmcshine, (London 2011) The Showroom
(London 2006), One in the Other (London 2003), The Vamialis
Gallery, (Athens 2004 and 2007) and the Fine Art University of
Hanoi, (Vietnam 2005). She has also participated in group
exhibitions such as Dawnbreakers, John Hansard Gallery, Southampton
(2010), The Designated Area, DNA galerie, Berlin (2009); O Fascinio
de Ulysses, Luis Serpa Gallery, Lisbon (2008); Panic Room- Works
form the Dakis Joannou Collection, Deste Foundation, Athens (2007);
A Tale of Two Cities: Busan-Seoul/Seoul-Busan, Busan Biennale,
Korea (2006), Expanded Painting, Prague Biennale 2, Prague (2005).
Bauer has also participated in collaborative projects and
commissions in Berlin and London and is a participant in the PoCA
research group, based at Goldsmiths, London.
Diann Bauer is represented by Paradise Row, London and DNA
Galerie, Berlin.
Diann Bauer is represented by Paradise Row, London and DNA Galerie, Berlin.
For additional information about this artist, visit Mutual Art
