ข่าวสาร และ สิ่งตีพิมพ์
In Sandra de la Loza’s art, research—what she calls “the archive”—is central to her process.
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Sandra de la Loza is a Los Angeles based artist whose work critically investigates questions of power and representation within contemporary political, social, and cultural landscapes. She is the founder of The Pocho Research Society of Erased and Invisible History, an on-going collaborative project that engages the subject of “History” through critical inquiry and artistic processes. Through collaborations with specific communities she finds strategies of making invisible histories visible through projects that result in multi-media installations, video, photographic work, publications and public interventions. In a recent project, Mural Remix, a solo exhibition that was, part of the Getty’s PST initiative, she took the role of a performative archivist to expand on existing understandings of 1970’s Chicana/o murals. As an artist entering the archive, she occupies the position normally held by historians, curators and scholars to interrogate the power embedded in the act of history making. By gathering slicing, blowing up and remixing archival material, she explores History as an elastic space of practice, one that can be shaped, stretched and expanded while making visible the processes in which dominant narratives are created. Her book, The Pocho Research Society’s Field Guide to Erased and Invisible Histories, (2011) is now available through the University of Washington Press.
For additional information about this artist, visit Mutual Art
