Cindy Bernard

The Whitney Museum of American Art has acquired Ask the Dust: The Godfather (1970/1990), 1990 - the second NY based museum to add a work from Ask the Dust to its collection. Thanks to John Baldessari for making it possible and to Donna De Salvo and the Whitney curatorial staff, especially Jay Sanders and Christie Mitchell, for welcoming my work into the collection. Very honored.

“In the Cut” presents photographs by five artists that assume a documentary interest despite the liquidated descriptive powers of photography today. Take Lisa Ohlweiler’s seemingly factual photographs, for instance: Untitled, 2010, pictures a sunbathing man and Paradise, 2009, shows a golf course surrounded by palms. Everyday scenes, to be sure, but Los Angeles is a city whose main industry is generating images of it. Ohlweiler’s prints harmonize with that noisy surfeit of pictures.

The Institute of Contemporary Art, Los Angeles (ICA LA) announces Jamillah James as its new curator.

Ask the Dust: Vertigo (1958/1990) was acquired by MOMA

Asger Carlsen, James Case-Leal, Adam Cvijanovic, Jay Heikes, Elizabeth Jaeger, Dean Levin, Dashiell Manley, Ruairiadh O’Connell, David Opdyke, Jacolby Satterwhite, Nick van Woert, and Letha Wilson.

Adam Cvijanovic constructs new ideas of landcape painting from such disparate ingredients as the Hudson River School

"Objects on the horizon are closer than they appear," says a snappy collage by Christopher Michlig, made from found advertising posters whose letters

For most of the past two years, ever since the Museum of Contemporary Art's near-death experience from an extended period of fiscal mismanagement

"Objects on the horizon are closer than they appear," says a snappy collage by Christopher Michlig, made from found advertising posters whose letters

For most of the past two years, ever since the Museum of Contemporary Art's near-death experience from an extended period of fiscal mismanagement

The artist-led group known as MOCA Mobilization is back. The group, founded in 2008 by artists Cindy Bernard and Diana Thater, has posted online

Colin Gleadell announces that the Artist Pension Trust is opening half of its holdings to sales. APT is a cross between an art fund and a 401(k)