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Deputy Director of St. Louis's Co Museum Resigns: Following community outrage over the racially charged Kelly Walker exhibition, the chief curator and deputy director of the Contemporary Art Museum in St. Louis, Jeffrey Uslip, has announced that he will step down from his position.
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The subversive power of women’s laughter filled the outdoor courtyard of the new Hauser Wirth & Schimmel art complex when over 700 women artists - along with women art professionals and some supportive men - gathered for Now Be Here , a photo event in DTLA, on a sunny Sunday on August 28th.
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The project, titled “Now Be Here,” was inspired by the gallery’s current exhibition, “Revolution in the Making: Abstract Sculpture by Women, 1947-2016,” curated by gallery partner Paul Schimmel and feminist scholar Jenni Sorkin, and examining the often overlooked role of women in the 20th century history of sculpture.
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Kim Schoenstadt’s research into architecture began almost by accident, waiting for buses in lobbies in Chicago.
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Like Canaletto or Bernardo Bellotto, Kim Schoenstadt is a view painter. Her work records complex urban landscapes.
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Kim Shoenstadt was born in Chicago. She received a BFA from Pitzer College in Claremont, California, in 1995. She has had solo shows throughout the United States and abroad, including the Jewish Museum of San Francisco, the Irvine Fine Arts Center in Irvine, California, and the Lodz Bianalle in Lodz, Poland. Most recently Schoenstadt has installed a large wall installation for Art Platform LA sponsored by 6018 North project in Chicago (2011) and is the winner of the Catherine Doctorow Prize for Contemporary Painting at the Salt Lake Art Center (2011).
Kim Schoenstadt lives and works in Los Angeles.
For additional information about this artist, visit Mutual Art
