新闻和出版物
Transparency, an Arts Council Collection National Partners Exhibition, was originally conceived at Yorkshire Sculpture Park and shown in 2016.
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SCHEUBLEIN + BAK is pleased to announce a major solo exhibition “Dan Holdsworth. A Future Archeology”.
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Taking a scientific approach to document and map out the geological features of many prominent natural features of the West of North America
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Now here's a compelling subject for an exhibition: mind-altering drugs. Tracing the history of narcotics across ages and continents from the ancient Egyptians' use of opiates
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If you want a bit of festive cheer with your contemporary art, look no further than our Christmas picks. These shows offer all the colour, magic
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Limited edition artworks are the Chirstmas gifts which give both ways. Not only are they just right for the person who has everything, in many cases
Read MoreTaking a scientific approach to document and map out the geological features of many prominent natural features of the West of North America
Read MoreIf you want a bit of festive cheer with your contemporary art, look no further than our Christmas picks. These shows offer all the colour, magic
Read More
Blackout, presented at BALTIC Centre for Contemporary Art through February 20, brings together a remarkable new sequence of images taken in Iceland
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In May, Tate Britain will complete their re-hang so that you can follow the journey of British Art chronologically from 1540 to present day. By way o
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Born in 1974 in the United Kingdom, Dan Holdsworth lives and works in London. Holdsworth creates large-scale photographs characterized by the use of traditional techniques and unusually long exposure times. His practice deals with hybridity and limits: what we recognize and what we fail to understand. It engages with contemporary forms of the sublime, exploring the limits that shape our perception of time and space. Holdsworth often travels to remote locations around the world in order to capture deserted landscapes and futuristic environments, reminiscent of science fiction settings. His photographic series “The world in itself” (2000) documents hard and cold landscapes, which appear as barren and otherworldly as the lunar surface. His project “Machine for living” (1999) presents the city as a soulless device, at once powerful and threatening. Human presence is both evoked and repressed whereas the plastic qualities of motorways and buildings are magnified.
Recent solo exhibitions Continuous Topography, Audemars Piguet Art Commission, Art Basel, Switzerland (2016), A Future Archeology, Scheublein + Bak, Zurich, Switzerland (2016), Spatial Objects, Southampton City Art Gallery, Southampton, UK (2015),“Blackout” at Patricia Low Contemporary, Geneva (2010), “Ultravisitor” at Patricia Low Contemporary, Gstaad (2007), “White Noise” at Store Gallery, London (2007), and “Geographics” (with Paul Shepheard) at MIMA, Middlesbrough (2007). His work has also been shown as part of “CRASH, Homage to JG Ballard” at Gagosian Gallery, London (2010), “All Tomorrow’s Pictures” at ICA, Institute of Contemporary Art, London (2007), “How We Are: Photographing Britain” at Tate Britain, London (2007), “Modern-Life Painters” at Centre Pompidou, Paris (2006) , “Spectacular City” at The Netherlands Architecture Institute, Rotterdam (2006) and " Transmission" at Brancolini Grimaldi (2012). He has been nominated for the Beck’s Futures award at the ICA – Institute of Contemporary Art, London (2001).
Dan Holdsworth is represented by: Patricia Low Contemporary, Geneva and SCHUEBLEIN + BAK, Zurich.
For additional information about this artist, visit Mutual Art
