Kate Gilmore

David Castillo Gallery will be participating in the Expo Chicago 2017 at Chicago's Navy Pier.

All shows are free unless otherwise noted.

All shows are free unless otherwise noted.

All shows are free unless otherwise noted.

Kate Gilmore and Karen Heagle’s “Beat” is on view at On Stellar Rays till February 19, 2017.

200 or so visitors poked their heads through an arched, human-sized mouse hole draped in black at Mana Contemporary to get to the art center’s theater for a Friday evening performance.

Three art and culture experts, including the New Museum’s tech-savvy curator Lauren Cornell, talk about the complex research, storytelling, and economic issues related to Michael Stevenson’s sculpture “The Fountain of Prosperity,” which is currently on view.

Last week marked the opening of yet another major "bi-annual" exhibition. While its organizers are reluctant to call it a biennial, Portugal Arte 10

10 Opening Exhibitions to Watch

For its big debut show last fall in its shiny new iconic building, the Museum of Contemporary Art Cleveland went global.

Brooklyn Museum of Art, May 1, 2009 – January 10, 2010 The mirror in the title of this modest, but thought-provoking exhibition of video art is not

Miami’s fushcia-smudged sky provides the perfect backdrop for the Wynwood Art Walk, which pops up on the second Saturday of every month

On 6 June, 2011, Parasol unit foundation for contemporary art launched Walk the Line, a dynamic site-specific sculptural artwork

We are pleased to announce We’ve All Got Issues: Video Art from the APT Collection the first ever online, selling exhibition of video art featuring 16 videos by an international roster of member artists from Artist Pension Trust® (APT). The show is hosted by MutualArt.com and will be up for a period of two weeks from May 29 to June 12, 2014. All works will be shown in their full-length versions and made available for purchase through the website.

"The Reckoning: Women Artists of the New Millennium" by Eleanor Heartney, Helaine Posner, Nancy Princenthal and Sue Scott, is the new quintessential volume that illustrates the importance of female artists in visual culture. The book focuses on the work of 24 hand-picked female artists, born after 1960, that have pushed beyond the stereotype of 1970s “feminist art” and have asserted themselves as influencers in the modern art world. With approachably written chapters on each of the women, the authors define these artists’ important roles in the shaping of contemporary culture and art.

For its big debut show last fall in its shiny new iconic building, the Museum of Contemporary Art Cleveland went global.

Miami’s fushcia-smudged sky provides the perfect backdrop for the Wynwood Art Walk, which pops up on the second Saturday of every month

On 6 June, 2011, Parasol unit foundation for contemporary art launched Walk the Line, a dynamic site-specific sculptural artwork

In a bit of geographic cross-pollination, Chelsea’s ZieherSmith Gallery will be bringing Brooklyn artists to Nashville for a pop-up group show

February 25 – May 30, 2010 In the viewing room where Rashaad Newsome’s video plays, a couple of women in their seventies sat and discussed

As every artist knows, it’s good to get your hands dirty every once in a while. And there’s something undeniably wonderful about messy, filthy

Last week marked the opening of yet another major "bi-annual" exhibition. While its organizers are reluctant to call it a biennial, Portugal Arte 10

The Pace Gallery presents Soft Machines, a group exhibition of artists exploring the influence and effects of control mechanisms on the human body.

The Soft Machine, William Burroughs' cut-up sci-fi novel about addiction and vice, urges us to "smash the control images" and "burn the books,"

2010, Francesco Bonami and Gary Carrion-Murayari’s Whitney Biennial, is essentially a Whitney Biennial calibrated for the times: small at 55 artists

With our original location in a working class neighborhood with large families, many of them struggling to get by, we often had occassion to explain

What kind of biennial is "2010"? First let’s dispose of a silly notion — that this is the women’s biennial. Yes, 51 percent of the participants are female

The home is an unstable space in contemporary art. As the arena in which boundaries between public and private, masculine and feminine, quotidian

"Paint Things: Beyond the Stretcher" at the deCordova is a smart, sinewy examination of 18 artists who make "painting-as-sculpture and vice versa."

Far from the sweaty sidewalks of New York in the cooler climes of Gstaad, better known for its ski resorts, Marilyn Minter is co-curating a show