新聞和出版物
What I Loved takes its name from Siri Hustvedt’s 2003 novel, which looks back at the constellation of relationships and events in the New York art wor
Read MoreHalf a century on from meeting Warhol, the fine-art photographer still knows what’s hot.
Read MoreThis auction from Artcurial’s Urban Art department is dedicated towards the dispersion of a private collection, comprising 23 works that offers a perspective of the most iconic urban artists from the past few decades.
Read MoreJack Hanley Gallery, New York, is hosting its “30th Anniversary Exhibition: Attics of My Life” that is on view from January 8, 2017 through February 5, 2017.
Read MoreGalerie Eva Presenhuber is hosting the fifth exhibition of Sue Williams through January 21, 2017, featuring fabric paintings and large-scale canvasses by the New York-based artist.
Read MoreOn October 21st the Artes Mundi 7 Exhibition and Prize in Cardiff opened its doors to the British public, presenting a major exhibition of work from six of the world’s most innovative contemporary artists.
Read MoreThe earliest works in Susan Te Kahurangi King’s overdue retrospective, running through October 30 at the Institute of Contemporary Art, Miami, date to 1958, when the artist was just seven years old.
Read MoreThis week MoMA PS1 presents "Greater New York," a sprawling, building-wide exhibition that takes place every five years and has traditionally featured work by New York's most prominent emerging artists.
Read MoreDear Jerry, I saw the Dan Colen show today. Yuck. Yuck beyond all yucks. Why do you think really bad art is shown in really good galleries? —JW Reeves
Read MoreSue Williams’ mini-retrospective of nine mid-to-large paintings, along with several smaller ones and a grouping of collages on wallpaper
Read More10 Captivating Exhibitions Opening this Week
Read MoreStrange are the paintings that simultaneously recall full-sleeve tattoos and Wedgwood china, Peter Saul’s cartoonish crassness and Willem de Kooning’s
Read MoreA typical Sue Williams painting is a messy affair, overflowing with lush cartoon orifices and the occasional tumescent horse.
Read MoreWithout the prompting of her 303 Gallery show’s title – “WTC, WWIII, Couch Size” – few viewers would apprehend Sue Williams’s richly evocative new
Read More“NYC 1993: Experimental Jet Set, Trash and No Star” opens at the New Museum on Feb. 13 and runs through May 26.
Read MoreWhat’s that? You haven’t been to Bleecker Street Arts Club yet, the fairly-recently-opened exhibition space situated on an unlikely block, far from
Read More"Flesh was the reason oil paint was invented," Willem de Kooning argued in the 1950s. This sensual awareness set his paintings apart —attuned to
Read MoreThere’s a convention that Pink Is for Girls, but it hasn’t always been that way. The color, thought to be named after the frilled edge of a small flow
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Wiliams is a prominent artist with a recognised body of work and an exhibition history of both solo and group shows on five continents. The work is both raw and accomplished; strong, charged and challenging in its links to contemporary lives and the sexualisation of western society.
Sue Williams’ continues to explore and challenge the fantasies of feminism, sexuality, gender and culture in her work, in doing so she offers her passionate and direct response to the complex world of human frailty – the stuff of life. Throughout her work she is constantly revealing an ambiguous boundary between a secure place and an insecure place, between the real and the imagined, drawing the viewer into her world of provocative sexual politics. Drawing plays a major role within her work and it is through the use of the drawn image that Sue Williams’ preoccupation with the notion of desire and frailty unfolds. The canvas and the paper are tools for the artist to manipulate, the use of text and material beyond the surface of the canvas adds to the theatrical and the unconventional, the disconnectedness of human connectedness revealed in Sue Williams’ work.
She has taken part in many exhibitions and residencies and has a clutch of prestigious awards recognising her art including the National Eisteddfod Wales (Gold Medal winner 2000), the Rootstein Hopkins Award (2000) and has shown in the Avesta Biennial, Sweden (2000) and the Site-ations Project in New York (2001). She was a shortlisted artist for the Artes Mundi 2, International Visual Art Prize 2006 selected by Deepak Ananth and Ivo Mesquita. In 2009 she was awarded a major Creative Wales Award by Arts Council of Wales. Her work features in several leading private and public collections throughout USA, Africa and Europe including the National Museum & Galleries of Wales; Contemporary Arts Society; Welsh Assembly Government and The Glynn Vivian Art Gallery, Swansea.
For additional information about this artist, visit Mutual Art