プレス＆パブリケーション
Self-portraits from LACMA’s important collection of photography include works by Diane Arbus, Robert Mapplethorpe, Cindy Sherman, Andy Warhol, and oth
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In the previous Looking at Los Angeles post, Catherine Wagley explored the still-healing schism of East and West Germany through an Angelino lens.
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Last week, Art21 treated Angelenos to the very first preview screening of William Kentridge: Anything is Possible at the Hammer Museum‘s Billy Wilder
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Selected group exhibitions include Middle Ground: Photographs from the Whitney Museum of American Art, Wallach Art Gallery, Columbia University, New York; Nine Lives, Hammer Museum, Los Angeles; Cinematographic Video Works, Berliner Kunstsalon, Berlin; The Center is Anywhere and Strange Days, Museum of Contemporary Art, Chicago; Seriously Animated, Philadelphia Museum of Art; Visions from America and the 1989 Biennial and the 2002 Biennial, Whitney Museum of American Art, New York; L.A. On My Mind, Pacific Design Center, Los Angeles; The End of the Avant-Garde: Art as a Service, Kunsthalle der Hypo-Kulturstiftung, Munich, Germany; Aperto, Venice Biennale, Venice, Italy; Play of the Unsayable: Wittgenstein and the Art of the 20th Century, Wiener Secession, Vienna, Palais de Beaux Arts, Brussels; A Dialogue about Recent American and European Photography, Museum of Contemporary Art, Los Angeles.
Perlman has taught at the Royal College of Arts; Cal Arts; University of Illinois; Claremont College; Yale University; University of California, Riverside; The School of the Art Institute of Chicago; and Otis College of Art and Design. His writings have appeared in Art Journal, Material, ArtUS, and Art Muscle. Perlman has received an Augustus Saint-Gaudens Memorial Fellowship, two National Endowment for the Arts Artists Fellowships, and the Louis Comfort Tiffany Foundation Grant.
BA, Yale University
For additional information about this artist, visit Mutual Art
